On shooting in the first hour of light
Most of Harbour Mornings was filmed between dawn and the moment the sun cleared the warehouse roofs. That gave us about forty usable minutes a day, which turned out to be exactly the right amount of pressure.
Journal
Occasional notes from the studio.
Why we still print
Every portrait series ends as a small set of physical prints. Seeing a picture at arm’s length, on paper, tells you very quickly whether it is finished.
One lens for a whole project
For The Bread Table we allowed ourselves a single fixed lens. Fewer choices made the pictures calmer and more consistent.